the history of LAUNCH PAD

Featured in American Theatre magazine as a new model of play development in the US, LAUNCH PAD continues a rich tradition of innovation and collaboration. LAUNCH PAD was founded in 2005 at the University of California, Santa Barbara.

At first it didn’t have a name, I just started bringing professional writers to campus to work on their new plays. The name was birthed about five years later…when it was time to get serious about funding.

The program was a direct response to hearing my playwright friends talk about the challenges of the development process in the American theatre. They often find themselves stuck in a cycle of readings and workshops. Sometimes a play might have as many as 10 readings, which are, for the most part, actors standing at music stands and reading the play to a live audience. If the writer is lucky enough to land a professional world premiere, there is an incredible amount of pressure on that production to be successful. That pressure may curtail the play’s full development from a writing standpoint. And then, landing a second production after the world premiere title was taken is very difficult.

So, I wondered what I could do as a new professor at UC Santa Barbara, a research university with a robust theater program, to fill that developmental gap between readings/workshops and world premieres. Out of that question came the concept of a “preview production:” the play is professionally directed and designed with all the bells and whistles (scenery, costumes, lighting, sound, music, projections), features a combination of BFA acting students and professional actors, but it stays in previews throughout the run of the show. There is no opening night, there are no reviews. The writer continues revising as the piece evolves through performances.

I’m so proud to be embarking on our 20th year of developing these dynamic plays by these gifted playwrights. The program has grown over the years from one annual Preview Production as our centerpiece, while developing works at all stages through our Summer Reading SeriesAmplify Reading Series and Pop-Up Series, and most recently becoming a partner in Four Seasons. We are proud to have supported so many great playwrights and plays on their journey from incubation to professional world premieres. 

Looking forward, we hope to share this concept with other universities so more and more writers have the chance to see their work in 3-D before the New York Times comes to review it!  


Since its inception in 2005, LAUNCH PAD has produced 19 preview productions by distinguished playwrights. 2025 marks the 20th anniversary. 

Melancholy Play
by Sarah Ruhl
2006

Kingdom City 
by Sheri Wilner
2010

Untitled IV
by Ruth Markofsky
 by Alison Tatlock
2014

Staging the Daffy Dame 
by Anne García-Romero
2018

A Medusa Thread 
by Candrice Jones
2022

The Dinosaur Within
by John Walch
2007

Biederman's Match by Beau Willimon (book), Michell DiBucci (music), Portia Kamons (lyrics)
2011

The Talented Ones
by
Yussef El Guindi
2015

The Watsons Go To Birmingham - 1963 - adapted from the novel by Cheryl L. West
2019

She Wolf: Margaret of Anjou
by Katie Bender
2023

Plumfield, Iraq
by Barbara Lebow
2008

Entangled
by Lila Rose Kaplan
2012

We Want the Funk, a rustbelt lullaby on the one! by Idris Goodwin
2016

What Martha Did
by Enid Graham
2020

Everybody’s Favorite Mothers
by James Still
2024

La Niñera: The Nursemaid 
by Barbara Lebow
2009

Appoggiatura 
by James Still
2013

Bernhard 
by Lynn Rosen
2017

Shanghai
by Linda Alper
2021


LAUNCH PAD plays developed through the Summer Reading Series, Amplify Reading Series Festival, Pop-up Reading Series and most recently in Four Seasons.

Gun Play - Barbara Lebow

¡Soldadera! - Jami Brandli

The Velvet Weapon - Deborah Brevoort

“A” Train - Anne Torsiglieri

Too Much Water - KJ Sanchez, Jenny Mercein and Ensemble

April 4, 1968 - James Still

Staging the Daffy Dame - Anne García-Romero

Stand By - Christina McMahon

Bad Touch - Joyce Carol Oates

Through the Eye of the Needle - Jami Brandli

(A) New World - James Still

Meanwhile There are Letters - Declan Hughes

The Watsons Go To Birmingham - 1963 - adapted from the novel by Cheryl L. West

The Survivors/Los Sobrevivientes - Katie Bender

The Myths We Made - Brian Otaño

Three Sisters Bronte - Arlene Hutton

What Martha Did - Enid Graham

Untitled Measurement Play - Mia Chung

Elocutia Does Pygmalion - Cheryl L. West

Once Upon A Family - Barbara Lebow

The Cratchits (in America) - James Still

American Fast - Kareem Fahmy

Exotic Deadly: or the MSG Play - Keiko Green

Lorena: A Tabloid Epic - Eliana Pipes

A Medusa Thread - Candrice Jones

A People’s Guide to History in the Time of Here and Now - Rehana Lew Mirza

Pilar and Paloma - Milta Ortiz

Fortunes - Dan Castellaneta and Deb Lacusta

Blue Jay Singing in the Dead of Night - Dale Griffiths Stamos

Happy Fall: a Queer Stunt Spectacular - Lisa Sanaye Dring

Acetone Wishes and Plexiglass Dreams - Stephanie Kyung Sun Walters

Memories of Overdevelopment - Caridad Svich

One Month Along by Franky Gonzales

What’s Best for the Children by Idris Goodwin

Plays About Longing by James Still